record reviews:
Various Artists
Funky Nassau
The Compass Point Story
1980-1986
(Strut)
The ‘80s will never die!
Considering our present economic plummet, foreign policy
cluster-fuck and the trickle-down approach to everything
from Big Business to paltry attempts at concern for the
little guy, maybe we as a nation require some retro
escapist music to soothe our frazzled minds. Pass the blow
and turn up the Casio! Let’s venture all the way to The
Bahamas, where Chris Blackwell’s Compass Point Studios
churned out some incredibly innovative time signatures,
rhythms and the most technologically explorative sounds the
then-pop charts had ever known. We must regain a bit of our
sanity by looking back on what sounded good then (and still
does now) or suffer the wrath of our current selves over and
over again.
Considering model, actress and
friend to Andy Warhol, Grace Jones, begins the album in full
contralto with her 12” version of “My Jamaican Guy,” the
proverbial doors are thrown open to much sonic exploration
by equally challenging artists. The Talking Heads were wise
enough to do a stint on the islands, recording the
funk-heavy, polyrhythmic “Born Under Punches (The Heat Goes
On)” for their incredible Remain in Light album,
which sounds as fresh as ever nearly three decades later.
Reggae legend Sly Dunbar got in on the fun, laying-down his
African-tweaked “River Niger” with an extended horn solo
over driving bass and more signature keyboard tickling.
Keeping with that vibe, this compilation also includes Lizzy
Mercier Descloux’s cover of “Sun Is Shining,” putting a
Parisian twist on Bob Marley’s mellow tune. Besides, we
desperately need the Tom Tom Club’s super catchy “Genius Of
Love” to remind us I’m in heaven with my boyfriend
lest we forget the simple things in life worth celebrating.
Cristina’s monologue over
music “You Rented A Space” isn’t nearly as effective as the
songs preceding it, but isn’t so bad it’s worth skipping
over to get to Ian Dury & The Seven Seas Players' “Spasticus
Autisticus,” a weirdly appealing early hip hop gem. The
closing “Adventures in Success (Dub Copy)” by Will Powers is
an elongated instrumental behemoth, dropping hard beats
amidst unique reverb, light guitar licks, horn bleats and an
overall delivery that ebbs and flows nicely throughout.
There’s more by Guy Cuevas,
Set The Tone, Gwen Guthrie, Bits & Pieces, and Chaz Jankel
feat. Laura Weymouth, but you get the overall idea, don’t
you? Yeah, the '80s produced some unquestionably disposable
music from production houses way more interested in quick
money-making hits over quality productions. Compass Point
Studios wasn’t one of them. There’s so much inventive fun in
the sun here it’s certainly worth giving these cuts another
go-around.
—
Sean P. Lambert
www.strut-records.com/funkynassau
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writer:
Andre Williams
- Feature Interview
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