record reviews:
Pieces of Peace
Pieces of Peace
(Cali-Tex)
From Big Bill Broonzy to Kanye
West, Chicago has been and will no doubt continue to be a
hotbed of American musical activity. It’s no surprise, then,
to find another group from the back pages of the Windy
City’s best and brightest get a little spotlight thrown on
their most soulful ’72 self-titled release, Pieces of
Peace. From almost the time of their inception, Pieces
of Peace took on the understudy role to another
Chicago-based outfit, The Pharaohs, a forerunner to the
hugely successful group later know as Earth, Wind & Fire.
The little brother band gigged regularly all over ChiTown,
defining their style and scene with high-energy shows heavy
on rhythms and horns. Confident in their abilities as
performers, an LP was the next logical step to broadening
their fan base in tandem with their professional
aspirations.
With songs like “Cease Fire”
and “Pollution” (ending with the entire band loudly coughing
over the din of a screeching guitar) providing the kind of
feel-good slow jams and unabashed funk that makes a body
groove while the message moves, there’s little doubt Pieces
of Peace had what it took to get to the top. Why didn’t they
get there? Well, the liner notes tell the tale of a talented
group of guys that eventually came together to form a tight
band and record a single mind-blowing LP, followed by a
lengthy Asian tour that effectively tore them apart. This
reissued album displays in full force what capable creators
they were. Their unique blending of soul, funk and jazz over
the longer arrangements is staggering, calling to mind the
classic movie scores of Issac Hayes with a taste of Jimmy
Smith or even a smattering of jazz daddy, Lalo Schifrin. The
addition of instrumental bonus track takes on “Pollution”
and “Yesterday’s Visions” only further convince that even
the alternate jams were well worth including. It’s music of
a time too far gone for me to know. If this stuff is any
indication of what was going down, what a time it must have
been.
—
Sean P. Lambert
More by this
writer:
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Funky Nassau:
The Compass Point Story 1980-1986
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