Elliott Smith

New Moon

(Kill Rock Stars)

Record Review by Adam McKibbin

New Moon compiles 24 tracks from the fruitful period in which Elliott Smith wrote and recorded Either/Or and his self-titled record. Most of these tracks have never previously seen formal release, although some have long been making the online rounds among Smith's most devoted fans—for whom this collection, supplemented with attractive artwork and several personal essays from friends and admirers, obviously ranks as a must-have.

Archivist and engineer Larry Crane carefully mixed New Moon to Smith's specifications, or the closest approximation thereof, keeping the emphasis squarely on Smith's achingly intimate vocals and acoustic guitar playing. A number of tracks—"Going Nowhere," "Riot Coming," and "Angel in the Snow"—rank among the standouts, and could have easily fit alongside the "proper" album cuts. While no single song feels tossed-off or carelessly considered, many do have the feel of B-sides, particularly on the second disc; Smith, after all, did leave them on the shelf for one reason or another.

Yet, while some posthumous collections regrettably dilute the artist's catalog, New Moon reaffirms Smith's legacy as a master of the mellow and melancholy. The two discs offer numerous revelations for casual fans, including the nimble guitar work on "Almost Over," a pair of songs from Smith's early-era band Heatmiser, an even more stripped-down version of "Miss Misery" (his Oscar-nominated song for Good Will Hunting), and a charming live version of Big Star's "Thirteen."